![]() With special thanks to Steve Freeth through his generosity, we acquired boxes of Moriceau’s materials for the NFSA collection in 2016. I had the whole lot shipped to the Namibian desert where we shot the film.'Īlthough it is nearly 40 years since Moriceau contributed to Mad Max 2, her work has continued to influence and inspire art, fashion and film worldwide. who had accumulated the most amazing collection of junk which was all in boxes at Fox Studios. ![]() In a tribute to Norma Moriceau at the Australian Production Designers Guild Awards in 2019, director George Miller described Moriceau as 'regal' and 'comprehensive' and as someone who 'dug right deep into character'.Īccepting an award in her honour, Ross Wallace described Moriceau as 'a riddle wrapped up in a mystery, inside an enigma with crocodile teeth and leopard skin and broken-down jackets'.Ĭostume designer Jenny Beavan, who won an Oscar for her work on Mad Max Fury Road (2015), said she 'was very indebted to Norma Moriceau. This rare home movie shot by Norma Moriceau in an unknown location captures the artistic and creative scene in which she was immersed, circa 1980: She also worked with Julien Temple on the film The Great Rock’n’Roll Swindle (1980), styling McLaren and the Sex Pistols. She took the iconic photograph of Westwood in her designer 'Destroy' t-shirt, a garment originally sold at Westwood and McLaren’s boutique store Sex and now part of the collection of the Metropolitan Museum of Art in New York. ![]() By the 1970s, she was friends with fashion designer Vivienne Westwood and her partner Malcolm McLaren (they lived around the corner) with whom she often collaborated on film shoots. In the swinging 60s, she entered the fashion world as photographer, stylist and editor for a string of hip fashion magazines including Nineteen, Vogue and London Life. ![]() But, man, it was fucking tough.In her early teens, Norma Moriceau started her career as a model with June Dally-Watkins before taking herself to London to pursue other opportunities. It doesn’t mean it has to always be that, but I do think somehow the lightning in a bottle that you’re always trying to catch happened on that movie. And I hate saying this because I don’t ever want to encourage young actors or storytellers to believe that they need trauma or sacrifice because I really, really don’t believe you do, but there’s a little bit about the circumstances around that movie that I think gave it the magic. I don’t know what production on the prequel was like, but I want to believe it was less. “I have never done anything that needed that kind of endurance, and I don’t think I ever will. “Listen, I know I said, ‘Oh, as an actor, you want to be challenged,’ but you don’t want it to be that bad,” the Oscar winner said. Theron added that “Mad Max: Fury Road” was a “long, long shoot” and grueling production. “One of the greatest fucking actresses is picking up something that I only imagined.” “Listen, I’m not mad about ,” Theron told The Hollywood Reporter in December 2022. “Fury Road” spurred upcoming prequel “Furiosa,” with Anya Taylor-Joy playing the younger version of Charlize Theron’s titular character. He added that “no one looked twice at dystopian date,” proving the “Fury Road” costume kept Harry’s identity under wraps, literally. If Sol says yes, Dig's going to close his towing company tomorrow and help make it happen. Watch ‘South Park’ Parody Prince Harry and Meghan Markle’s ‘Victim’ Pleas for Privacy
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